It is my observation that there are three states of being, and one is always shifting between them in a continuous loop. Architecture is a reflection of these states.
In the state of absorption, one experiences architectural metaphors like forests, qawwali, ghazals, multiple stories, and interconnected narratives.
This is when the experience of choreography takes over, and the hidden forces—whether masculine or feminine—shift dynamically.
Here, spaces expand, and you feel larger than life.
In the state of contemplation, one experiences architectural metaphors like caves, meditativeness, nazm (poetry), and storytelling.
This is the state of meditative experience, where the hidden forces are gentle, and an atmosphere of immensity and depth is created.
This state follows absorption and contemplation, where one truly begins to create.
During creation, there is no contemplation or absorption—only a release from their influences.
Creation eventually becomes the new point of reference for absorption and contemplation.
As a result, one evolves into a more enriched and refined human being.
Beyond these three states, there exists the state of meditation—a state of absolute nothingness.
Architecture, being the result of form and space, cannot induce meditation.
However, the works of architects like Álvaro Siza and Tadao Ando come closest to evoking a meditative experience.
In architecture, one can choose to interplay between these three states—
One may focus on a single state or strive for a balance that reflects the complexities of life itself.
There are moments in architecture where one swings between plastic and sculptural space—
Like walking through a painting in the buildings of Luis Barragán,
Or walking through a sculpture in the works of Antoni Gaudí or Le Corbusier’s Ronchamp.
This interplay is where architecture transcends mere functionality—
It becomes an emotional and sensory journey.
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